Templar Edification

Our meditations upon the woodcuts of Gustave Doré, by which he illustrated the Grande Bible de Tours, reach the climax of Our Lord’s Passion with Luke 23:44-45— It was now about noon, and darkness came over the whole land until three in the  afternoon, for the sun stopped shining. And the curtain of the Temple was torn in two. By the standards of its day, the Jerusalem Temple was weird. The very idea that there ought to be but one Temple for an entire nation, for a dozen feuding federated Tribes, baffled most observers in the ancient world. Great cities could have scores of temples, of every deity and design, each housing a cultic image, a statue of the given god in glory. Some of these were wonders of the world: Zeus at Olympia, Artemis at Ephesus. Yet the Temple of the Hebrew God stood empty—empty!—just a big blank space with some cherubs set around it, and simple sacred box of acacia and gold (this latter being lost before the time of Christ). Here there would be one Temple, one...

The third in our series of biblical woodcuts by Gustave Doré illustrates Matthew 27: 33-34— And when they came to a place called Golgotha (which means Place of a Skull), they  offered him wine to drink, mixed with gall; but when he tasted it, he would not drink it. Jerusalem in Jesus’ day had spilled beyond its borders, with settlements cropping up outside the fortified city wall. Golgotha—Calvary, in Latin, both names referring to “skull”—began as a limestone quarry on the west edge of the city. The Romans used a high outcropping or hill here as a site of public execution, with crucified victims on full display for those entering, leaving, or simply passing along the road. We don’t know how Golgotha earned its name. Legends abound. Some say that criminals were beheaded there, or that the hill looked rather like a skull, or even that it had been the burial site of Adam once upon a time. The Romans certainly didn’t care. They bored post-holes in the top to hold their crosses, crucif...